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  • platinum palladium portfolios 2006 -2015
    • platinum palladium portfolio statement
    • platinum palladium prints
    • salton sea
    • cactus garden at huntington gardens
    • sculpture parks
    • arizona - oasis
    • inbetween architecture & sculpture
    • gardens
    • galveston
  • black and white portfolios 2015-2023
    • landscapes & gardens - preserving history
    • old stones - new stones
    • holocaust memorial berlin
    • greece..between the past and present
    • cactus house
    • cambodia-blurred boundaries-between man & nature
    • salton sea_2
    • arizona urban sprawl
    • tropical triptychs...hawaii,costa rica,edmonton
    • life of trees
    • dungeness driftwood_1_triptychs
    • driftwood, sculptures made by man & nature
  • mixed media
  • editions
  • art statement
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  • Contact
  • christine laptuta
    holga portfolios 2006 - 2023

    • platinum palladium portfolios 2006 -2015
      platinum palladium portfolio statement
      platinum palladium prints
      salton sea
      cactus garden at huntington gardens
      sculpture parks
      arizona - oasis
      inbetween architecture & sculpture
      gardens
      galveston
      black and white portfolios 2015-2023
      landscapes & gardens - preserving history
      old stones - new stones
      holocaust memorial berlin
      greece..between the past and present
      cactus house
      cambodia-blurred boundaries-between man & nature
      salton sea_2
      arizona urban sprawl
      tropical triptychs...hawaii,costa rica,edmonton
      life of trees
      dungeness driftwood_1_triptychs
      driftwood, sculptures made by man & nature
      mixed media
      editions
      art statement
      bio
      Contact

Process Statement

In 2006 l purchased a primitive Holga camera and began this project. The camera changed my way of seeing. The camera’s unpredictability, its unrefined results forced me to be spontaneous, accidental and intuitive.
                 

I compose personal narratives by shooting continuous frames on one strip of film. The Holga’s manual rewind allows me to produce multiple images without frames. The constructed images culminate in a cinematic journey of my own imagination.

                   

I develop 120 film, then contact print it using the platinum/palladium process. I then scan the film to print large-scale archival pigment prints as well as enlarged platinum prints.